Hi there, Paul here. It’s been a busy time recently and things have been heating up. I’ve been busy creatively and have more work on the horizon as well.
This is just a quick update regarding, well, updates really. As you know, this blog hasn’t been updated much recently (though I’m currently working to do something with it), I have however been busy beavering away at my professional portfolio site. The site is specifically about my own skills rather than the group as a whole. As such, I shall endeavour to keep both open, and hopefully expand this on as well.
If you want to have a look at my site, it’s over at: paul-blewitt.com. I hope to see you there.
I’ve not done a blog post for a while, as you can tell. Things are going on in my life which tares me away from Habitual Films currently. However, since my love of filmmaking is still strong, I will be returning to the blog at a later date, preferably with more tips, more opinions and a whole load more analysis (possibly with more features to boot, as well as the possibility of a blog cast).
In the mean time, please feel free to shoot me an email if you want a specific topic covered or simply to say “hey dude, when is the next post coming?”.
Unless you’ve been living under a rock for the past 2 years, you’d have noticed a massive boom in the rise of 3D movies and games. There’s a lot of criticism out there about it – It doesn’t really work, it’s a gimmick being pushed down our throats, it’s simply not good enough, etc… Well, I prefer to take a more constructive approach when it comes to film criticism, so here I’m going to list both when it works and how it should be done.
It’s been a while since my last post, but it’s finally back. This week’s youtube saturday is focused squarely on sound in films. This isn’t just limited to film scores, but dialogue, sound effects, atmospheric noise, and tips on how to get these best. But anyway, on with the show!
–WARNING! THIS POST IS AN OPINION PIECE AND SHOULD BE TREATED AS SUCH!–
Final Destination is a series of films that I think are underrated. I don’t mean they should be more commercially successful, because they’re already a great earner, but they’re underrated in terms of popular opinion. From the original concept all the way through to the later films, I believe the idea is both original and a sign of how contemporary horror should be done. Here’s why…