The end of the world is better on Blu-ray

Paul and mine's Blu-ray collection. Don't worry, our DVD stash is even bigger.

Paul just happened to be glancing over at our Blu-ray collection earlier today, and there’s one thing he noticed: of the 17 films that we have on Blu-ray… 8 are about the end of the world. That’s right, currently 47% of our Blu-ray collection is dedicated to either apocalyptic or post-apocalyptic scenarios.

No wonder I ended up doing a YouTube Saturday last month about the end of the world. Well, apart from the fact that there was a whole load of Rapture nonsense going on.

Our high definition, 5.1 surround sound toting collection of end of the world fun contains:

Zombieland (2009)

Terminator 2: Judgement Day (1991) (Skynet Edition)

Evangelion: 1.11 – You Are Not Alone (2007)

Watchmen (2009)

Independence Day (1996)

Final Fantasy VII: Advent Children (2005)

The Day the Earth Stood Still (2008)

Knowing (2009)

And that’s just our Blu-rays that deal with the end of the world. Yet all of these films tend to be VFX and CGI/CG heavy, which brings me on to my next point: when you’re considering what genres to buy on Blu-ray (at the moment) you’re better off concentrating on purchasing films with lot of big effects going on. It just doesn’t seem like there’s much point in picking up comedies, rom-coms or even plain dramas in high-def yet.

Really, you don’t need to see Jefinner Aniston kissing anyone in high definition.


The Sunday caption poll

It's another Comic Caption Sunday!

I’ve decided to try and do something for a Sunday, and spread a little bit of humour over the internet. So here goes:

Getting a good rep

The process of representation between the reference, production and reception

Representation within media texts has always been a source of contention within a number of groups in society. For a good representation, you need it to be as true as possible. But, that also means that it must be able to be negative as well as positive. Likewise, reinforcing bad representations can cause a lot of controversy. It’s a fine line and there’s no easy answer.

Generally, a positive representation is designed to encourage a group of people. Disabled people for example – positive representations can empower. However, on the flip side, the negative ones (again, generally) are designed to highlight the problems faced by real people in the social group – a gritty look at what they have to cope with on a daily basis.

A whole host of stereotypes: Forrest Gump - the "super-crip" and "sweet and innocent", Lt. Dan - "aggressive avenger", "outcast" and the "pitiable/pathetic"

Representation of women in films can often be a very sore subject. Some argue women fit neatly into stereotypes, a list that excludes women from being anything other than a damsel, a femme fatale, a sexual object, etc… There are arguably some “girl power” movies, but I’ve heard that even then, they perpetuate myths about women. It’s understandably a contentious issue – after all the very nature of the need to “represent” is to arrange people into groups and label them. And it’s also true that one of the few “groups” to not need representation is white, middle aged males (since they represent “anyone”). We find ourselves in a predicament – to have representations in the first place is to label and stereotype, either negatively or positively, thus anyone outside of the white, middle aged males will automatically be reduced to an archetype.

An example of this is Terminator 2. One feminist argues that it strips down the femininity of one of the main characters – Sarah Connor. Ergo, in order to actually have a woman capable of fending off a robot bent on destroying the future and killing your son, you need to masculise her – turn her into a him (metaphorically). I can see that point. But by the same token, put in the femininity and the motherly love back into Sarah Connor. How do you show this and have her firing guns and physically protecting John from the T1000? It doesn’t seem particularly feminine to me.

Sarah Connor, almost mirroring the look of a Terminator - sunglasses, big gun and unemotional

But gender is just one of the “representation groups”. In fact, anything can be a group, so long as it’s different from the “white, middle age males”. Each one can be argued to reinforce negative stereotypes, either by “normalising” them or by not “normalising” them. So long as we think in stereotypes, we’ll see in stereotypes.

So what’s the way out of this paradox? Accepting that a character can be just a character. To stop reading in groups altogether. Everything has representation, so long as you want it to. The time to look out is when the filmmaker themselves has created something with a stereotype in mind. And there are those that do that.

This is a person writing this, not a mid 20’s British white guy.